|
Shorthand is
a method of writing rapidly by substituting characters,
abbreviations, or symbols for letters, words, or phrases.
Other names for shorthand are stenography (close, little, or
narrow writing), tachygraphy (swift writing), and
brachygraphy (short writing). Because shorthand can be
written rapidly, the shorthand writer is able to record the
proceedings of legislative bodies, the testimony of law
courts, or dictation in business correspondence. In
addition, shorthand has been used through the centuries as a
cultural tool: George Bernard Shaw wrote his plays in
shorthand; Samuel Pepys recorded his diary in shorthand;
Cicero's orations, Martin Luther's sermons, and
Shakespeare's plays were all preserved by means of
shorthand.
History and development of
shorthand.
Through the
centuries shorthand has been written in systems based on
orthography (normal spelling), on phonetics (the sounds of
words), and on arbitrary symbols, such as a small circle
within a larger circle to represent the phrase, "around the
world." Most historians date the beginnings of shorthand
with the Greek historian Xenophon,
who used an ancient Greek system to write the memoirs of
Socrates. It was in the Roman Empire, however, that
shorthand first became generally used.
Marcus Tullius Tiro, a learned freedman who was a
member of Cicero's household, invented the
notae Tironianae ("Tironian notes"), the
first Latin shorthand system. Devised in 63 BC, it lasted
over a thousand years. Tiro also compiled a shorthand
dictionary. Among the early accomplished shorthand writers
were the emperor Titus, Julius Caesar, and a number of
bishops. With the beginning of the Middle Ages in Europe,
however, shorthand became associated with witchcraft and
magic, and disappeared.
While he was archbishop of
Canterbury, Thomas Becket (c. 1118-70) encouraged research into Tiro's
shorthand. By the 15th century, with the discovery in a Benedictine monastery
of a lexicon of Ciceronian notes and a Psalter written in Tironian shorthand, a
renewed interest in the practice was aroused. Somewhat influenced by Tiro's
system, Timothy Bright designed an English system
in 1588 that consisted of straight lines, circles, and half circles. (Tiro's
method was cursive, based on longhand script.) Bright's system was called
Characterie: an Arte of Shorte, Swifte, and Secrete Writing by Character.
The 17th century produced four
important inventors of shorthand systems: John Willis, who is considered to be
the father of modern shorthand; Thomas Shelton, whose system was used by Samuel
Pepys to write his famous diary; Jeremiah Rich, who popularized the art by
publishing not only his system but also the Psalms and the New Testament in his
method of shorthand; and William Mason, whose method was used to record sermons
and to translate the Bible in the years following the Reformation. Mason's
system was later adapted and became the official system of the British
Parliament.
Several other systems were
invented in the next decades, but most of them were short-lived. One of the
most successful was that of the British stenographer Samuel Taylor, who
invented a system in 1786 that was based on that of one of his predecessors.
Taylor's method was adapted into French, Spanish, Portuguese, Italian, Swedish,
German, Dutch, Hungarian, and other languages.
The
Industrial Revolution brought a demand for stenographers in business.
Because the geometric systems then in use required a high level of education
and long training, a need existed for a method that would be easier to learn.
The German Franz Xaver Gabelsberger (1789-1849) turned away from geometric
methods and developed a simple cursive system. Gabelsberger's system, which he
called "Speech-sign art," was based on Latin longhand characters and had a
neatness and beauty of outline that is unsurpassed. It enjoyed a spontaneous
success and spread to Switzerland, Austria, Scandinavia, Finland, and Russia.
The system's simplicity made it an easy matter to translate it into other
languages, and in 1928 it became the Italian national system.
Modern symbol systems.
Sir Isaac Pitman (1813-97), an educator who
advocated spelling reform, was knighted by Queen Victoria
for his contributions to shorthand. Pitman had learned
Taylor's method of shorthand but saw its weakness and
designed his own system to incorporate writing by sound, the
same principle he advocated in phonetic longhand spelling.
He published his system in 1837, calling it
Stenographic Sound-Hand. It consisted of
25 single consonants, 24 double consonants, and 16 vowel
sounds. Similar, related sounds were represented by similar
signs, shading was used to eliminate strokes, the shortest
signs were used to represent the shortest sounds, and single
strokes were used to represent single consonants. At first,
the principle of positioning to express omitted vowels--i.e.,
writing the word above, on, or below the line of
writing--was reserved until later lessons, after the theory
had been presented. Later, positioning was introduced with
the first lesson.
In 1852 Isaac Pitman's brother,
Benn Pitman, brought the system to America, where, with several slight
modifications, it became the method most extensively used in the United States
and Canada. An investigation in 1889 stated that 97 percent of the shorthand
writers in America used the Isaac Pitman system or one of its modifications.
Pitman shorthand has been adapted to Afrikaans, Arabic, Armenian, Dutch,
French, Gaelic, German, Hebrew, Hindi, Italian, Japanese, Persian, Spanish, and
other languages.
The Irish-born
John Robert Gregg (1867-1948) taught himself at the age of 10 an
adaptation of Taylor's shorthand. He then studied Pitman by himself but
disliked its angles, shading, and positioning. Later, while in his early teens,
he read a history of shorthand by Thomas Anderson, a member of the Shorthand
Society of London. Anderson listed the essentials of a good shorthand system,
stating that no method then in use possessed them: independent characters for
the vowels and consonants, all characters written with the same thickness, all
characters written on a single line of writing, and few and consistent
abbreviation principles.
Gregg was 18 when he invented
his own system and 21 when he published it in the form of a pamphlet,
Light-Line Phonography (1888). The Gregg system was
predominantly a curve-motion shorthand with circles, hooks, and loops. Based on
the ellipse or oval and on the slope of longhand, its motion was curvilinear.
Obtuse angles were eliminated by natural blending of lines, vowels were joined,
shading was eliminated, and writing was lineal, or in one position.
In 1893 Gregg took his system
to the United States, and Light-Line Phonography became Gregg Shorthand. The
inventor found that, except for the eastern coastal cities, shorthand was
virtually unknown. At that time high schools began teaching shorthand, and
Gregg traveled through the Midwest, the West, and the South, selling his system
and demonstrating his teaching methods with great success. The Gregg system
supplanted Pitman's as the predominant system taught in the United States. It
also spread to Canada and to the British Isles. Gregg shorthand has been
published in English, French, Spanish, Portuguese, Hebrew, Russian, Italian,
Tagalog, Japanese, Thai, Chinese, Scottish Gaelic, Esperanto, Sinhalese, and
Polish.
An early German system of
importance was the Stolze-Schrey method. Wilhelm Stolze invented his system at
about the same time as Gabelsberger and along similar lines. In 1885 Ferdinand
Schrey, a Berlin merchant, attempted to simplify the Gabelsberger system.
Sometime later the Stolze and Schrey methods were merged and became the leading
system in Germany and Switzerland. Stolze-Schrey shorthand was also adapted to
other languages, including Danish, Dutch, English, French, Italian, Norwegian,
Polish, Russian, and Spanish.
In 1924, after two decades of
development, a new system based on the Gabelsberger and Stolze-Schrey methods
was completed. As revised in 1936 and 1968, the Deutsche Einheitskurzschrift is
the principal system now used in Germany and Austria.
Modern abbreviated longhand
systems.
The system of
Speedwriting shorthand was created around 1924 by
Emma Dearborn, an instructor at Columbia University.
Her method was designed to be taken down on the typewriter;
but in 1942 it was changed to be written by hand with pen or
pencil. Speedwriting shorthand uses the letters of the
alphabet and the known punctuation marks to represent
sounds. For example, the sound of ch is written with
a capital C; the word each is thus written
eC. More than 20,000 words in the Speedwriting dictation
can be written with a total of 60 rules and a list of
approximately 100 brief forms and standard abbreviations.
Speedwriting shorthand is taught in several
languages--including English, Spanish, Italian, Portuguese,
German, Flemish, and Afrikaans--in many countries.
Forkner Alphabet shorthand was
first published in 1952 in the United States. The author, Hamden Forkner, spent
10 years in research before publishing the first edition of the new system,
which uses a combination of conventional letters and a few symbols for the
hard-to-write letters and sounds. For example, H is expressed by a short
dash above the line. This same short dash through the letter C gives the
ch sound, through the longhand S it gives sh, and across the
T it designates th. Abbreviations are used for a number of common
words.
Another American method,
Hy-Speed Longhand, was first published under that title in 1932. Based on
Andrew J. Graham's Brief Longhand, published in 1857, its principles
include the omission of silent letters and most vowels, the substitution of
letters, numbers, or signs, and the combination of certain letters.
Stenoscript ABC Shorthand is a
phonetic system using only longhand and common punctuation marks. It originated
in London in 1607 and was revised by Manuel Claude Avancena, who published a
modern edition in 1950. Stenoscript has 24 brief forms that must be memorized;
e.g., ak stands for acknowledge, ac for accompany, bz for
business, and gvt for government.
Stenospeed originated in 1950
in the United States; the first publication was called Stenospeed High Speed
Longhand, but in 1951 the system was revised under the name of Stenospeed ABC
Shorthand. It is used by many schools as a standard text.
Other alphabetic or partially
alphabetic systems have also been devised. Among these is Teeline, a system
used extensively in Great Britain.
Machine shorthand.
A method of
recording speech by using machines became commercially
feasible around 1906, when the Stenotype
machine was invented by Ward Stone Ireland, an American
stenographer and court reporter. At present, the
Stenograph and Stenotype machines are used in
offices to some extent, but they are principally employed
for conference and court reporting.
Both machines have keyboards of 22 keys. Because the
operator uses all fingers and both thumbs, any number of
keys can be struck simultaneously. The machines print roman
letters on a strip of paper that folds automatically into
the back of the machine. The operator controls the keys by
touch and is thus able to watch the speaker. The fingers of
the left hand control the keys that print consonants
occurring before vowels. These keys print on the left side
of the tape. The thumbs control the vowels, which are
printed in the centre of the tape, and the fingers of the
right hand control the consonants that follow the vowels,
which are printed on the right side of the tape. There are
not separate keys for each letter of the English alphabet;
thus, those letters for which there are no keys are
represented by combinations of other letters. Abbreviations
are used for some of the most frequent words, giving the
operator the ability to write two or three words in one
stroke. ( A.R.R./Ed.)
¡¡
A.R.R.
Allien R. Russon. Emeritus Professor of Management, College of Business,
University of Utah, Salt Lake City. Author of Methods of Teaching
Shorthand.
|
Stenography¶ó°íµµ ÇÑ´Ù. ±ÛÀÚ•´Ü¾î•¾î±¸ ´ë½Å ±âÈ£³ª ¾àÀÚ¸¦ »ç¿ëÇÏ´Â ºü¸¥ Çʱâ¹ý. °¡Àå ¸¹ÀÌ
¾²ÀÌ´Â Çö´ë ¼Ó±â¹ýÀ¸·Î ÇÇÆ®¸Õ ¼Ó±â, ±×·¹±× ¼Ó±â, ½ºÇǵå¶óÀÌÆÃÀÌ ÀÖ´Ù. ¼Ó±â´Â ÀÚ¸ð·Î ÀÌ·ç¾îÁø
±ÛÀÚ•´Ü¾î•¾î±¸¸¦ »¡¸® ³ªÅ¸³¾ ¼ö ÀÖ´Â ±âÈ£³ª ÁÙÀÓ¸»À» »ç¿ëÇÏ´Â ºü¸¥ Çʱâ¹ýÀÇ ÃÑĪÀ¸·Î,
½ºÅ׳ë±×·¡ÇÇ(stenography : ÃÎÃÎÇϰí ÀÛ°Ô ¶Ç´Â Á¼°Ô ¾²±â)•ÅÂ۱׷¡ÇÇ(tachygraphy :
»¡¸® ¾²±â)•ºê·¡Å°±×·¡ÇÇ(brachygraphy : ª°Ô ¾²±â) µîÀ¸·Î ´Ù¾çÇÏ°Ô ¾Ë·ÁÁ®¿Ô´Ù. ¼Ó±â´Â ¿À´Ã³¯
ÀÔ¹ý±â°ü¿¡¼ ÀÇ»ç·ÏÀ» ÀÛ¼ºÇϰųª ¹ýÁ¤¿¡¼ÀÇ ÀçÆÇ°úÁ¤ ±â·Ï ¹× ¾÷ü¿¡¼ ÆíÁö¸¦ ±¸¼ú·Î ¹Þ¾Æ¾²´Â µ¥ ³Î¸® ¾²À̰í
ÀÖ´Ù.
¿ª»ç°¡ÀÎ Å©¼¼³ëÆù (BC 5~4¼¼±â)ÀÌ °í´ë ÇüÅÂÀÎ ±×¸®½º ¼Ó±â¸¦
»ç¿ëÇϱâ´Â ÇßÁö¸¸, ÃÖÃÊÀÇ Ã¼°èÀûÀÎ ¼Ó±â¹ýÀº BC 63³â¿¡ ŰÄÉ·ÎÀÇ Ä£±¸ÀÌÀÚ ÇØ¹æ³ë¿¹¿´´ø ¸¶¸£Äí½º Åø¸®¿ì½º
Ƽ·Î°¡ ŰÄÉ·Î¿Í ¼¼³×Ä« ¹× ·Î¸¶ ¿ø·Î¿ø ¿ø·ÎµéÀÇ ¿¬¼³À» ±â·ÏÇϱâ À§ÇØ °í¾ÈÇÑ '³ëŸÀÌ'(notae)¿´´Ù.
Ƽ·Î°¡ °í¾ÈÇÑ ¼Ó±â¹ýÀº ·Î¸¶ÀÇ Çб³¿¡¼ °¡¸£Ãưí ȲÁ¦µéµµ ¹è¿ö ³Î¸® »ç¿ëµÇ¾ú´Ù. ·Î¸¶ Á¦±¹ÀÌ ¸ê¸ÁÇÑ µÚ¿¡µµ
Ƽ·ÎÀÇ ¼Ó±â¹ýÀº ¿©·¯ ¼¼±â µ¿¾È °è¼Ó »ç¿ëµÇ¾ú´Ù.
Çö´ë ¼Ó±â¹ýÀÌ »ý°Ü³ °÷Àº ¿µ±¹À¸·Î, Ƽ¸ð½Ã ºê¶óÀÌÆ®ÀÇ ¡´±âÈ£ÀÇ »ç¿ë : ±âÈ£¸¦ »ç¿ëÇÏ¿© ª°í
ºü¸£°Ô ¾²´Â ±â¼ú Characterie : an Arte of Shorte, Swifte, and Secrete Writing by
Character¡µ(1588)ÀÌ Çö´ë ¼Ó±â¹ýÀÇ È¿½ÃÀÌ´Ù. ±×µÚ 50³â µ¿¾È 13Á¾·ùÀÇ ¼Ó±â¹ýÀÌ ¹ßÇ¥µÈ °ÍÀ¸·Î ¾Ë·ÁÁ³´Âµ¥, ±×Áß »ó´ç¼ö´Â ¿©·¯
Â÷·Ê °³Á¤µÇ¾ú´Ù. ÀÌ ÃʱâÀÇ ¼Ó±â¹ý Áß °¡Àå À¯¸íÇÑ °ÍÀº Åä¸Ó½º ¼ÐÅÏÀÇ ¡´Âª°Ô ¾²±â Short Writing¡µ(1626)¿´À¸¸ç, »õ¹Â¾ó Ç̽º´Â
±×ÀÇ À¯¸íÇÑ Àϱ⸦ ÀÌ ¹æ¹ýÀ¸·Î ½è´Ù. ¾à 2¼¼±â µÚ¿¡ À¯¸íÇÑ ¿µ±¹ ÀÛ°¡ Âû½º µðŲ½º´Â ¼Ó±â¸¦ ¹è¿ö ÇѶ§ ¹ýÁ¤°ú ÀÇȸ¿¡¼ ±â·ÏÀÎÀ¸·Î ÀÏÇϱ⵵
Çß´Ù. ¿µ±¹ ÃʱâÀÇ ¼Ó±â¹ý Áß ´ëºÎºÐÀº Á¤ÀÚ¹ýÀ̳ª ¾ËÆÄºª¿¡ ±âÃÊÇÑ °ÍÀ̾ú´ø ¹Ý¸é, ¼Ò¸®³ª´Â ´ë·Î ¾²´Â ¹æ¹ýÀÌ Á¡Á¡ Àα⸦ ²ø±â ½ÃÀÛÇß´Ù. Çʸ³
±âºê½º ¸ñ»ç´Â 1736³â óÀ½À¸·Î Àå¸ðÀ½°ú ´Ü¸ðÀ½À» ±¸ºÐÇÔÀ¸·Î½á ¾ËÆÄºª¿¡ µû¸¥ ±âÁØÀ» ¹ö¸®°í ¹ßÀ½¿¡ µû¸¥ ±âÁØÀ» äÅÃÇß´Ù. ¾ÆÀÌÀÛ ÇÇÆ®¸ÕÀº
1837³â ¡´¼Ó±âÀÇ ¼Ò¸®¿Í ¼ÕÀÇ °ü°è Stenographic Sound-Hand¡µ¸¦ ¹ßÇ¥ÇØ Ç¥À½¼Ó±â¹ý(øúëåáÜÑÀÛö)ÀÇ ¹ßÀü¿¡ »õ·Î¿î ½Ã´ë¸¦
¿¾ú´Ù. ±×´Â ¾ð¾îÀÇ ¹ßÀ½À» °úÇÐÀûÀ¸·Î ºÐ·ùÇϰí, ÀÚ½ÅÀÌ °í¾ÈÇÑ ±âÈ£¸¦ °Å±â¿¡ ¾Ë¸Â°Ô ¹è¿ÇßÀ» »Ó¸¸ ¾Æ´Ï¶ó »¡¸® ¾²±â¸¦ À§ÇØ ¸¸µç °£´ÜÇÑ ¾àÀÚ
ü°è¸¦ µµÀÔÇß´Ù. ÇÇÆ®¸ÕÀÇ ¼Ó±â¹ýÀº Ç¥À½¼Ó±â¹ýÀ̹ǷΠ¸ðµç ´Ü¾î¸¦ ±× ¼Ò¸®¿¡ µû¶ó ¾´´Ù. µû¶ó¼ lain, deal, may,
knife µîÀÇ ´Ü¾î´Â öÀÚ°¡
¸¶Ä¡ l n,
d l, m ,
n fÀÎ °Íó·³ ¾²°Ô µÈ´Ù.
ÀÚÀ½Àº ´Ü¼øÇÑ ±âÇÏ ÇüÅÂ¿Í Á÷¼± ¹× ¾èÀº °î¼±À¸·Î ³ªÅ¸³½´Ù. ¸ðµç ÀÚÀ½Àº µÉ ¼ö ÀÖÀ¸¸é ¦À» ÀÌ·é´Ù. ¿¹¸¦ µé¾î °¡º±°Ô ±×Àº ȹÀº f ¹ßÀ½À»
³ªÅ¸³»°í °°Àº ½ÄÀ¸·Î ¾à°£ ±½°Ô ±×Àº ȹÀº ±×¿Í ¦À» ÀÌ·ç´Â v ¹ßÀ½À» ³ªÅ¸³½´Ù. ÇÇÆ®¸ÕÀÇ ¼Ó±â¹ýÀº ¸î ³â ÈÄ ¹Ì±¹¿¡ ¼Ò°³µÇ¾ú´Ù.
¿À½ºÆ®·¹Àϸ®¾Æ•´ºÁú·£µå•Àεµ µî µ¿¹Ý±¸¿¡¼´Â ÇÇÆ®¸Õ ¼Ó±â¹ýÀÌ ÁÖ¿äÇÑ ºñÁßÀ» Â÷ÁöÇϰí ÀÖ´Ù.
1888³â Á¸ ·Î¹öÆ® ±×·¹±×´Â ¿µ±¹¿¡¼ ¡´¼¼¼± (á¬àÊ)Ç¥À½¼Ó±â¹ý
Light-Line Phonography¡µÀ» ¹ßÇ¥ÇßÀ¸¸ç, °ð ±×ÀÇ ¼Ó±â¹ýÀ» ¹Ì±¹¿¡ ¼Ò°³Çß´Ù. ±×ÀÇ ¼Ó±â¹ýÀº ¹Ì±¹ÀÇ ´Ù¸¥ ¼Ó±â¹ýº¸´Ù ´õ ¸¹Àº
Çб³µé¿¡¼ ±³À°µÇ°í ÀÖÀ¸¸ç ´õ ¸¹Àº ¼Ó±â»çµéÀÌ »ç¿ëÇϰí ÀÖ´Ù. ±×°ÍÀº ¼¼°è ´ëºÎºÐÀÇ ³ª¶óµé¿¡¼ ¼Ò°³µÇ°í °¡¸£Ä¡°í ÀÖ´Ù. ±×·¹±× ¼Ó±â¹ýÀº
´ÙÀ½°ú °°Àº ¿øÄ¢¿¡ ±âÃʸ¦ µÐ´Ù. ¨ç ÀÌ ¼Ó±â¹ýÀº Ç¥À½¼Ó±â¹ýÀÌ¸ç ¸ðµç ´Ü¾î´Â ¹ßÀ½¿¡ µû¶ó ¾´´Ù. ¨è ÀüüÀûÀ¸·Î £°Å³ª ±½Àº ¼±Àº »ç¿ëÇÏÁö
¾ÊÀ¸¸ç ¸ðµç ±âÈ£´Â °¡´Â ¼±À¸·Î ¾´´Ù. ¨é ÀÚü(í®ô÷)´Â º¸Åë Çʱâ¹ýÀÇ ¿ä¼Òµé¿¡ ±âÃʸ¦ µÎ°í ÀÖÀ¸¸ç ȹÀº Æò¹üÇÏ°í ¿òÁ÷ÀÓÀº °í¸£´Ù. ¨ê ¸ðÀ½Àº
¿ø°ú °¥°í¸® ¸ð¾çÀÇ ±âÈ£·Î ³ªÅ¸³»°í, ´Ü¾î´Â ÇÇÆ®¸Õ ¼Ó±â¹ý¿¡¼Ã³·³ ¸ðÀ½ÀÌ »ý·«µÇ¾úÀ½À» ¾Ï½ÃÇϱâ À§ÇØ ¼Ó±â¸¦ ÇÏ´Â ¼± À§³ª ±× ¼±»ó¿¡ ¾²Áö
¾Ê´Â´Ù. ¨ë ¸ðÀ½Àº ÆæÀ» ¶¼Áö ¾Ê°í ÀÚ¿¬½º·¯¿î ¼ø¼·Î ´Ü¾îÀÇ ¿Ü°û¼±¿¡ ½á³Ö´Â´Ù. ¨ì »¡¸® ¾²±â¸¦ À§ÇÑ °î¼± µ¿ÀÛÀÌ ¸¹´Ù. ±×·¹±× ¼Ó±â¹ýÀº
¼Ó±âÀÇ ¼Óµµ¸¦ ³ôÀ̱â À§ÇØ °¡Àå ¸¹ÀÌ ¾²´Â ´Ü¾îÀÇ ÀÏºÎ¿Í È¥ÇÕÀÚÀ½•Á¢¹Ì»ç•Á¢µÎ»ç µîÀ» °£°áÇÑ ÇüÅÂ¿Í ¾àÀÚ ¿ø¸®·Î »ç¿ëÇϰí ÀÖ´Ù.
20¼¼±â¿¡ ¼Ó±â¹ýÀÇ °æÇâÀº ÀüºÎ´Â ¾Æ´Ï¶óµµ ´ëºÎºÐÀÇ ¾ËÆÄºª ¹®ÀÚ¿¡ ´ëÇÏ¿© º¸ÅëÀÇ ±âÈ£¸¦ »ç¿ëÇÏ´Â
°ÍÀÌ´Ù. ¿¹¸¦ µé¾î ¾îºê¸®ºñ¿¡ÀÌÆ®¸¯½º(Abbreviatrix : 1945)¿Í º£Àνº ŸÀÔÆ® ¼ôÇÚµå(Baine's Typed Shorthand
: 1917), Ä«ÅÍ ºê¸®ÇÁÇÚµå(1957), Æ÷Å©³Ê ¾ËÆÄºª(1952), °Å½ºÅÙ ¾ËÆÄºª ¼ôÇÚµå(1949), ÇÏÀ̽ºÇÇµå ·ÕÇÚµå(Hy-Speed
Longhand : 1932), ÄüÇÚµå(1953), ½ºÇǵåÇÚµå(1952), ½ºÇǵå¶óÀÌÆÃ(1923, 1951), ½ºÅ׳뽺ũ¸³Æ®(1955),
½ºÅ׳뽺Çǵå(1950), Áø¸Ç(1950) µîÀÌ ¸ðµÎ ±×·¯ÇÏ´Ù. »ç½Ç ºü¸¥ Çʱ⿡¼ º¸Åë ±âÈ£¸¦ »ç¿ëÇÑ´Ù´Â »ý°¢Àº »çÀÌ¸Õ Á¶Áö º¸µé¸®ÀÇ
¡´Ä«µå¹«½º ºê¸®Å¸´ÏÄí½º Cadmus Britannicus¡µ¿¡±îÁö °Å½½·¯ ¿Ã¶ó°¡´Â °ÍÀ¸·Î, 3°¡Áö ü°è¸¦ Æ÷ÇÔÇÑ´Ù. Áï ¾ËÆÄºª ¹®ÀÚ¸¦ »ç¿ëÇÑ
'½½·Î¾î ¼ôÇÚµå'¿Í Çʱâü ¼Ó±âÀÎ '½ºÀ§ÇÁÅÍ ¼ôÇÚµå' ¹× 'À½¾Ç¿ë ¼Ó±â'·Î ÀÌ·ç¾îÁø´Ù. º¸µé¸®ÀÇ '½½·Î¾î ¼ôÇÚµå'¿Í ÀÌ·¯ÇÑ À¯ÇüÀÇ Çö´ë ¼Ó±â¹ý
»çÀÌÀÇ ÁÖµÈ Â÷ÀÌÁ¡Àº º¸µé¸®ÀÇ ¹®ÀÚ°¡ º¸ÅëÀÇ 'ȰÀÚü'·Î ÀÌ·ç¾îÁ® ÀÖ¾î ¼·Î ÀÌ¾î ¾µ ¼ö ¾ø¾ú´Ù´Â °ÍÀÌ´Ù.
Çѱ¹ÀÇ ¼Ó±â
¿ª»ç
Çѱ¹ÀÇ ¼Ó±â´Â ¹Ú¿©ÀÏÀÌ ÇÏ¿ÍÀÌ¿¡¼ 1909³â 'Á¶¼±¼Ó±â¹ý'À» â¾È, ¡´½ÅÇÑÀϺ¸¡µ¿¡ ¹ßÇ¥ÇÑ °ÍÀÌ
½ÃÃÊÀÌ´Ù. 1925³â¿¡´Â ¹æÀÍȯ•ÀÌ¿ø»óÀÌ ¡´½Ã´ëÀϺ¸¡µ¿¡ 'Á¶¼±¾î ¼Ó±â¼ú'À», 1927³â¿¡´Â ±èÇÑÅͰ¡ ¡´½ÅÁ¶¼±¡µ¿¡ '¿ì¸®¸» ¼Ó±â¹ý'À», ¾öÁ¤¿ì°¡
¡´µ¿±¤¡µ¿¡ 'Á¶¼±¼Ó±â¹ý'À», 1935³â °ÁØ¿øÀÌ ¡´µ¿¾ÆÀϺ¸¡µ¿¡ 'Á¶¼±¾î¼Ó±â¼ú°ÇØ'¸¦ °¢°¢ ¹ßÇ¥ÇßÀ¸³ª ÀÏÁ¦°Á¡±â¿¡´Â ¸ðµÎ ¹ßÇ¥¿¡¸¸ ±×ÃÆ´Ù.
8•15ÇØ¹æ ÈÄ¿¡´Â 1946³â Àå±âÅÂÀÇ 'ÀÏÆÄ½Ä'À» ÇʵηÎ, °°Àº ÇØ ±èõÇÑÀÇ '°í·Á½Ä', 1947³â ¹ÚÀÎÅÂÀÇ 'Áß¾Ó½Ä', 1948³â À̵¿±ÙÀÇ
'µ¿¹æ½Ä'°ú ¹Ú¼ÛÀÇ 'Á¶¼±½Ä', 1950³â ±è¼¼Á¾ÀÇ '¼¼Á¾½Ä', 1956³â ³²»óõÀÇ '³²Ãµ½Ä' µîÀÌ Ã¢¾ÈµÇ¾ú´Ù. 1968³â¿¡´Â ±¹È¸¿¡
¼Ó±â¾ç¼º¼Ò°¡ ¼³¸³µÇ¾ú°í, 1969³â ÀÇȸ¼Ó±â¹ý½Ä ¿¬±¸À§¿øÈ¸°¡ ¿¬±¸ÇÏ¿© â¾È•¹ßÇ¥ÇÑ 'ÀÇȸ¹ý½Ä'À» ±¹È¸¼Ó±â»ç¾ç¼º¼Ò¿¡¼ ±³À°Çϱ⠽ÃÀÛÇß´Ù.
1990³â¿¡´Â 1970³â´ë ÈĹݰ濡 ±¹³»¿¡ µµÀÔµÈ ¼Ó±âŸÀÚ±â¿Í ÄÄÇ»Å͸¦ ¿¬°áÇÑ ÄÄÇ»ÅÍ ¼Ó±â(Computer Aided
Transcription/CAT : ÀÚµ¿¹ø¹®ÀåÄ¡)°¡ °³¹ßµÇ¾ú´Ù.
Á¾·ù
Çѱ¹ÀÇ ¼Ó±âÁ¾·ù´Â Å©°Ô ¼öÇʼӱâ¿Í ±â°è¼Ó±â·Î ±¸ºÐµÈ´Ù. â¾ÈÀÚ¿¡ µû¶ó ¼öÇʼӱâÀÇ °æ¿ì¿¡´Â
20~30°¡Áö°¡, ±â°è¼Ó±âÀÇ °æ¿ì¿¡´Â 1°¡Áö Á¾·ù°¡ ÀÖ´Ù. ¼öÇʼӱ⠰¡¿îµ¥ ÇöÀç ³Î¸® Ȱ¿ëµÇ°í ÀÖ´Â ¹ý½ÄÀ¸·Î´Â ÀÇȸ½Ä•°í·Á½Ä•µ¿¹æ½Ä µîÀ̸ç,
±×¹Û¿¡ ½Å¼¼°è½Ä•ÀÏÆÄ½Ä•³²Ãµ½Ä•Á߾ӽĕ¼¿ï½Ä•Çѱ¹½Ä(Á¶¼±½Ä)•ÇÑ±Û½Ä µîÀÌ È°¿ëµÇ°í ÀÖ´Ù. ±â°è¼Ó±âÀÇ °æ¿ì´Â 1°¡Áö Á¾·ù¹Û¿¡ ¾ø±â ¶§¹®¿¡ Ưº°ÇÑ
¹ý½Ä À̸§ÀÌ ¾øÀ¸¸ç ÄÄÇ»ÅÍ ¼Ó±â·Î Åë¿ëµÇ°í ÀÖ´Ù.
¼Ó±â»ç
Çѱ¹ÀÇ ¼Ó±â»ç´Â ¾à 1,000¿© ¸í(1992)À̰í, ÁÖ¿ä±Ù¹«Ã³´Â
±¹È¸•Áö¹æÀÇȸ•±â¾÷ü•Á¤ºÎ±â°ü•°³Àλ繫½Ç•Çпø µîÀÌ´Ù. ±¹°¡±â¼úÀÚ°Ý Çѱۼӱ⿡´Â 1•2•3±ÞÀÌ ÀÖÀ¸¸ç, ½ÃÇèÀº 1982³â¿¡ °ËÁ¤°ü¸®°ø´Ü¿¡ ÀÇÇØ
óÀ½À¸·Î ½ÃÇàµÇ¾úÀ¸³ª 1984³âºÎÅÍ´Â ´ëÇÑ»ó°øÈ¸ÀǼҿ¡¼ 1³â¿¡ 1~2ȸ¿¡ °ÉÃÄ ½ÃÇàÇϰí ÀÖ´Ù. 1•2•3±Þ ¸ðµÎ ¿¬¼³¹®•³í¼³¹®À¸·Î ³ª´©¾î °¢°¢
5ºÐ¾¿ ³¶µ¶µÇ´Â ³»¿ëÀ» ±â·ÏÇÑ ÈÄ, °¢°¢ 1½Ã°£ µ¿¾È ¿ø°íÁö¿¡ Á¤¸®ÇÏ¿© Á¦ÃâÇØ¾ß ÇÑ´Ù. ¿¬¼³¹®ÀÇ °æ¿ì¿¡´Â 1ºÐ´ç 1±ÞÀº 320ÀÚ, 2±ÞÀº
300ÀÚ, 3±ÞÀº 270ÀÚ°¡, ³í¼³¹®ÀÇ °æ¿ì¿¡´Â 1ºÐ´ç 1±ÞÀº 300ÀÚ, 2±ÞÀº 270ÀÚ, 3±ÞÀº 240ÀÚ°¡ ³¶µ¶µÇ´Âµ¥, ¿ø°íÁö¿¡ ¿Å°Ü ÀûÀº
±ÛÀÚ Áß ¸Â´Â ±ÛÀÚ ¼ö°¡ 90£¥ ÀÌ»óÀ̾î¾ß ÇհݵȴÙ.
¡¡
¡¡ |